I intended to ask if my geographic romanticism could so easily be put aside as my...er...romantic romanticism. As I read Ian Nairn's words about some favoured piece of architecture that was demolished 35 years ago and that he saw but that I cannot I feel emotionally bound to the past. Bound to 'a better time', 'a happier time', a not now. But then in the next entry in 'Nairn's London' he is describing another building pulled down before he could see it. This building isn't even remembered by a photograph with the pencil engravings and their soft focus lending it all the more mystique and evocation of those better times. Did Nairn feel like a man out of place? That if only he cold go back before the bombs and before the rubble and before the concrete he'd know himself? If so I'd feel a little better. And a little worse. Better to not be the only one and, indeed, I would be in esteemed company. And worse because this debilitating fantasy affe...
The bag feels light, almost weightless as I bustle through the station en route to missing my train. I'll miss my train because I can no longer control the whirlwind, because the tiger I'm riding cannot change its stripes. Missing this train took a minute of ill-preparedness which took a day of muddled thinking which has taken weeks of bi-directional candle-burning. And I won't miss this train because, for now, the tiger loves me and wants me to be happy. It carries me to the ticket barrier and we bound through. It smiles its Cheshire Cat smile at the staff who whisk me past the queue. It settles me in my seat with such silken grace as to make all this seem so easy, so inevitable that a greater romantic than I (and that is no mean feat) would cry 'destiny!' But the tiger just smiles. And if I've manifested away the rough edges of my chosen course and sworn there are no rocks below the lovely smoothness of this water then I have also pressed my wet finger to th...